Overview
Lino Lago continuously pushes the boundaries of contemporary art practices, painting with technically traditional oil paints and drawing inspiration from the imagery of classical European portraiture. His work has an almost digital aesthetic where his classical backdrops are juxtaposed with lines that would comfortably sit on the screen of a photoshop editing suite.
Works
  • Lino Lago, Crash (Nattier), 2025
    Crash (Nattier), 2025
  • Lino Lago, Fake Abstract (Caravaggio), 2025
    Fake Abstract (Caravaggio), 2025
  • Lino Lago, Fake Abstract (Louis-Jean-Francios Lagrenée), 2025
    Fake Abstract (Louis-Jean-Francios Lagrenée), 2025
  • Lino Lago, Fake Abstract (Nattier), 2025
    Fake Abstract (Nattier), 2025
  • Lino Lago, Crash (Sassoferrato), 2024
    Crash (Sassoferrato), 2024
  • Lino Lago, Fake Abstract (Green on Nicolas de Largilliere), 2024
    Fake Abstract (Green on Nicolas de Largilliere), 2024
  • Lino Lago, Fake Abstract (Nattier), 2024
    Fake Abstract (Nattier), 2024
  • Lino Lago, Fake Abstract (Nicolas de Largilliere), 2024
    Fake Abstract (Nicolas de Largilliere), 2024
  • Lino Lago, Fake Abstract (Orange on Caravaggio), 2024
    Fake Abstract (Orange on Caravaggio), 2024
  • Lino Lago, Multipolar (Caravaggio), 2024
    Multipolar (Caravaggio), 2024
  • Lino Lago, Crash (Yellow on Museum II), 2022
    Crash (Yellow on Museum II), 2022
  • Lino Lago, Fake Abstract (Aqua on Francois Boucher), 2022
    Fake Abstract (Aqua on Francois Boucher), 2022
  • Lino Lago, Fake Abstract (Black on Sir Thomas Lawrence), 2022
    Fake Abstract (Black on Sir Thomas Lawrence), 2022
  • Lino Lago, Fake Abstract (Multi on Nattier), 2022
    Fake Abstract (Multi on Nattier), 2022
  • Lino Lago, Fake Abstract (Multi on Jean Marc Nattier), 2021
    Fake Abstract (Multi on Jean Marc Nattier), 2021
  • Lino Lago, Fake Abstract (Light blue on Roslin), 2020
    Fake Abstract (Light blue on Roslin), 2020
  • Lino Lago, Fake Abstract (Blue on Bouguereau), 2019
    Fake Abstract (Blue on Bouguereau), 2019
  • Lino Lago, Crash (Yellow on Museum I), 2014
    Crash (Yellow on Museum I), 2014
Biography

Lino Lago was born in Spain in 1973, and graduated from the Universidad Complutense in Madrid. He has exhibited individually since 1997 in several institutions including the Macuf Museum of Contemporary Art of A Coruña and the deputation of Ourense, as well as George Adams gallery in New York and Bredgade-Kunsthandel gallery in Copenhagen, Denmark. He has also exhibited collectively at ARCO Madrid, Pulse Art Fair in Miami, and Project Art Fair in Miami.

 

Lago continuously pushes the boundaries of contemporary art practices, painting with technically traditional oil paints and drawing inspiration from the imagery of classical European portraiture. His work has an almost digital aesthetic where his classical backdrops are juxtaposed with lines that would comfortably sit on the screen of a photoshop editing suite.

 

Whilst distinctly influenced by the art academies of the late 18th and early 19th century, there is no doubt that both conceptually and visually, Lago’s work belongs to the milieu of contemporary art through his use of color and form.

 

Lago has received a number of prizes and mentions such as the Vilnius City Arts Award in Lithuania and the Artist Award under 25 years of the Buen Retiro Park in Madrid. His work is also present in public collections, including the Harvard Business School in Boston and the Flint Institute of Arts, USA.

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